Welcome to part 3 in our ‘Exhibiting your Art’ blog series – how to work with commercial galleries. So far the series has looked at getting started and holding your own exhibition, with future articles set to cover ‘submitting to group shows’…
If you have read our previous comprehensive artwork pricing guide, you’ll appreciate that selling your artwork isn’t as simple as just adding up all of your obvious expenses (paints, canvas, studio rent and the like) and giving yourself a wage…
One only needs to wander around the capital to see all manner of colour and creativity.
Are you a teenager or 20-something with dreams of global artistic stardom? Or maybe you’ve turned to a creative path later in life, and are trying to juggle the task of building up a selling and exhibiting profile with that…
Every tube, train and tram in every city (…and town, village and hamlet) is stuffed full of commuters as they drag themselves to work each morning. The time of inside-pocket paperbacks and broadsheets has been replaced by tablets and smart…
Some artists handle the divide between amateur and professional more easily than others. While some can become disillusioned by a stop-start practice defined by only occasional sales or gallery interest (perhaps due to prohibitive time, money or location factors), others…
A true landmark event – or ‘rite of passage’ – in the life of a professional artist is their university degree show. It may be the first and last time you ever formally exhibit your work to the public, or…
Unless you are the type of person who can flit from one social circle to another, they are nightmares: the constant explanations, the chin rubbers, the ‘I-am-just-here-for-the-free-wine-ers’, the outlandish outfits and the same old questions. Private views sneak up on…
Far from wanting to write an article 10 years out of date, I will start with some well-worn facts and move on from there. The online art market is huge; the online art market currently stands at around £1.57 billion…
Yes, museum shops can be holding pens for the worst atrocities known to high art in the form of low culture; alas, they can also be great sources of inspiration for those of us working outside of the museum walls.…
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