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The Artists Web Newsletter February 2010

February 22nd, 2010 by jadams

THE ARTIST’S WEB NEWSLETTER FEBRUARY 2010

CONTENTS:

1) BECOMING SELF-EMPLOYED (PART 2) – The second installment in our two-part feature, this time focusing on  the  legal (and slightly dull-but-necessary) steps you need to take to set yourself up as your own boss!

2) SELLING PRINTS - are you getting the most out of your website?  Selling prints is a fantastic way to get your art to the masses – and make a regular income too!  A bit of prep work and you’re set to go..this article covers all you need to do.

3) ARTIST’S SITE OF THE MONTH
– Our pick this month of a site that we feel is doing it’s job particularly well!

4) WHAT’S WORKING ON THE ARTISTS WEB
– Our most popular pages – get clicking!

5) COMING UP NEXT TIME – coming up next time!!


WELCOME TO 2010!

A very happy new year to you all and welcome to the first Artists Web Newsletter of 2010!  We hope you’ve had a lovely holiday, have relaxed and eaten way too much and are ready and willing to launch into the new decade with new artistic goals, ambitions and inspiration!
In this issue, we’re covering a couple of areas which we hope will inspire you to (if you’re not already doing so) try and sell your artwork that you’re so passionate about…and maybe even make that decision to focus on your art as your career and become self-employed.  Scary?  Yes!  Rewarding? Without a doubt…having made the transition from employee to being my own boss myself, I know exactly how daunting the prospect can be.  But the work/life balance is so much better and, although it’s hard work and a lot of self-discipline, working for myself is without a doubt one of the best moves I’ve made in my life.
So besides the admittedly dull-but-necessary-and-therefore-ultimately-useful details of National Insurance, VAT and direct debits, we’ve got our usual Artist Site Of The Month, what’s coming up for the Artists Web in the next few weeks and some advice on ensuring that your work SELLS by using our free Prints Service.  So if it’s still icy out there, put the kettle on, take a break and have a read…and do send us your feedback!

Best wishes and a happy, healthy 2010 to you all.
J Adams & The Artists Web


1) BECOMING SELF-EMPLOYED (PART 2)

Last year we explored the pros and cons of becoming self-employed in order to launch your career as an artist.  This month we’re looking at the practical steps you need to take in order to get going and ensure you’re abiding by the law and doing everything correctly!  It can seem daunting to take the leap into working for yourself, especially if you’ve only ever worked for somebody else till now.  But the benefits, as we explored in November’s newsletter, can be enormous.  So, assuming that you’ve weighed up the plus points and have decided to go for it, you’re bound to have a rather large pile of questions.  Such as….

What are the key things I have to do?
This list is things you MUST do in order to become your own boss!
* Register as self-employed
* Pay National Insurance contributions on a weekly basis (see National Insurance section   below for exceptions)
* Register for VAT if you expect to turn over more than £68,000 per annum….hey, why not aim   high?!

This list is not essential but advisable in order to make life a whole lot easier!
* Set up a business bank account.  Keeping your business and personal money separate really makes life easier when it comes to doing your accounts and submitting your tax return.    Even if you’re not earning much to start with, it really helps and also makes you appear  more professional
* Decide whether you need or want to use an accountant.  Many prefer to save the money and do their accounts themselves, but you have to keep on top of things!  Having an accountant  saves you a lot of work but I used to use one and discovered that if I just got into the routine of keeping my accounts every month, I was able to use my own figures in my   tax-return and saved myself a considerable amount of money every month.  However this is not ideal for everyone, so start to source out accountants if you want to use one.  Word of  mouth is the best way of finding a good-’un.  Ask your self-employed friends for their contacts and recommendations.  Or look in your local area…go and see a few before you decide.
* Regardless of whether you’re using an accountant or doing the books yourself, you need to  be organised when it comes to keeping your accounts.  Start a spreadsheet/ledger to log your accounts at the end of every month. All you need to do is log your income, your business outgoings and keep the receipts for materials you use in your work that you may be able to claim back in business expenses.  By doing this on the last day of each month   you’ll  get into the routine and it’ll become second-nature. It also really, really, really helps when Tax Return Time comes around and you’ve got all your accounts and receipts in order to hand to your accountant or sort through yourself! (Trust me on this one – been there, done that!!)
* Keep track of where everything is going! (Again, trust me on this one).  Sold a picture? Great…make sure you have a record of the exact date you sold it, who to and retain their contact details! Just keeping a record of amounts is not enough.  You also need records of   contacts and buyers.

So….you’re ready to register and so on….here’s some (hopefully useful) info for you!  All links and helpline numbers/downloadable form links will be given in a list at the end of the article for easy retrieval.

Where do I start??
There are many sites online which have advice about starting up your work, as well as many blogs about working as an artist.  However, in my opinion (for what it’s worth!), the best place to start to check you’re doing it all correctly is the HM Revenue & Customs website (www.hmrc.gov.uk/selfemployed/).  This is a comprehensive site and has ‘Business Link’ sections which cover all aspects of starting up and running your own business
(http://www.businesslink.gov.uk/bdotg/action/layer?topicId=1073858805).

How do I register?

When you become self-employed you must register for Income Tax and National Insurance purposes with HM Revenue & Customs (HMRC). You can register online, by telephone or by post. You need to register AS SOON AS POSSIBLE to avoid a penalty (payable if you fail to register within three months of starting up).  It’s best to look into this whilst you’re THINKING about going it alone in order to avoid missing deadlines!  You need to have the following
information to hand in order to register:
* Your personal details (name, address, telephone number, contact email address, date of   birth and so on)
* National Insurance No. (you can find this on your National Insurance card, letters from   Social Security, documents    sent to you from HMRC, on your pay slips, P45s or P60s.  If   you’re still unsure, call HMRC on their National Insurance Registrations Helpline: 0845 915   7006 (lines open 8.00 am to 5.00 pm Monday to Friday)
* The date you started working for yourself
* Business telephone number and address if it differs from your home details
* The nature of your business
* Your Unique Taxpayer Reference no. (you can find this on correspondence from HMRC, your tax   return notification – or call the Newly Self-Employed Helpline (0845 915 4515) for help.

Now you’ve got all that ready, you’re ready to register!

For online registering, follow this link:
https://online.hmrc.gov.uk/shortforms/form/CWF1ST?dept-name=CWF1&sub-dept-name=&location=40&origin=http://www.hmrc.gov.uk

To register by phone, call this number:
0845 915 4515 (Newly Self-Employed Helpline) – open from 8am to 8pm Mon-Fri & 8am to 4pm Sat & Sun.

To register by post, you need to complete form CWF1: either call the Newly Self-Employed Helpline no. above and ask them to send you one, or you can download one from this link:
http://www.hmrc.gov.uk/forms/cwf1.pdf.  The address to send to is on the form.

Ta-daaaa!  You’re now registered as self-employed!  Hurrah! Now you need to arrange to pay your Class 2 National Insurance contributions!

What is National Insurance and why do I need to pay it?
Good question.  Almost everyone has heard of National Insurance but if you’re an employee you may not have any dealings with it; become self-employed and suddenly it’s a big deal!!  National Insurance contributions from each member of the public ensures your entitlement to state benefits such as State Pension and other social security benefits.  Payments stop when you reach retirement age and the amount you pay depends on factors such as how much you earn and your employment status (self-employed/employed etc.).  It is a legal requirement that it is paid so it’s a good idea to get on top of this early on so you don’t get a back-log of overdue invoices from HMRC!  It’s usually a small amount each week but it soon adds up if you’re NOT paying!

How much do I need to pay?
Self-employed workers pay Class 2 AND Class 4 contributions:
* – Class 2 is a flat rate of £2.40 per week – payable monthly by Direct Debit or as a quarterly bill.
* – Class 4 are paid as a percentage of your annual taxable profits – 8% between £5,715 and £43,875 and a further 1% on any profits over that amount – payable when you pay your Income Tax.

How do I set up payments or find out more about them?
* – Download this form to set up your Direct Debit payments:
http://www.hmrc.gov.uk/pdfs/ca5601.pdf
* – Call the very helpful HMRC’s National Insurance Self-Employed Helpline on Tel 0845 915 4655 (8am-5pm Mon-Fri).

Once you’ve done that….you’re pretty much sorted on the legal stuff!  If you do want to set up for VAT if you’re expecting to earn over £68,000 in your first year, contact the Self-Employed helpline on 0845 915 4515.

What about Tax-Returns?  Aren’t they horrendously difficult and scary?

* No!!  Not if you’ve been a good boy or girl and kept up with your accounts/receipts-keeping skills over the months. The first time I did mine, I went to my local tax office to get them to help me – it took five minutes!
* You’ll need your net and gross profit figures, your business goings for the year, any taxable social security benefit   numbers and that’s about it.  You can file your tax return online and follow the links or go and get help at your local   tax office like I did.  For all things tax return-related, follow this link; http://www.hmrc.gov.uk/SA/index.htm
* Most importantly – don’t dread it!  Keep on top of your accounts, get help completing it if you’re not sure and get it in   on time to avoid the £100 penalty.  It’s a doddle after that!

Setting up as self-employed can seem scary but it’s not that bad really – there’s so much help available if you’re  unsure of anything!  Here’s a round-up of all the numbers and links you might need so they’re all in one place (rather than scanning through the above article again!)

* www.hmrc.gov.uk/selfemployed/ – HMRC website for all things tax/NI/employment-related!
* Business Link site – helpful information, tips and articles on setting up:
http://www.businesslink.gov.uk/bdotg/action/layer?topicId=1073858805
* Newly Self-Employed Helpline (for all general enquiries) – 0845 915 4515 (8am-8pm Mon-Fri & 8am-4pm Sat-Sun)
* National Insurance Registrations Helpline: 0845 915 7006 (8.00 am to 5.00 pm Monday to Friday)
* Registering as self-employed online:
https://online.hmrc.gov.uk/shortforms/form/CWF1ST?dept-name=CWF1&sub-dept-name=&location=40&origin=http://www.hmrc.gov.uk
* Registering as self-employed by post – downloadable form: http://www.hmrc.gov.uk/forms/cwf1.pdf.
* National Insurance helpline no.: 0845 915 4655 (8am-5pm Mon-Fri).
* Downloadable form to set up National Insurance payments by Direct Debit: http://www.hmrc.gov.uk/pdfs/ca5601.pdf
* Self-assessment & tax returns website: http://www.hmrc.gov.uk/SA/index.htm

Phew!  Hope that hasn’t ‘taxed’ you too much! (Groan!).  Talk to other artists who are working for themselves to get a good idea of what’s involved and for tips they might have to pass onto you.  Be disciplined when it comes to your accounts and you shouldn’t have any problems…..and the best thing is, you’re now your own boss and are doing a job that you feel passionate about!  Perfect!


2) SELLING PRINTS

Now you’re established as a working artist, you really should be working to sell your art!  Selling original pieces of artwork is great and it can earn you some decent money…but then that piece of artwork is gone, never to return…and there may be many, many others out there who wanted it!  The joy of selling prints is that it can provide you with a steadier stream of income than selling one-off original pieces, prints are way more affordable for less wealthy art-lovers and if you sell your artwork through our Prints Program, which is FREE when you sign up with The Artists Web, you don’t have to lift a finger when it comes to selling, shipping and dealing with any returns!  You just sit back once you’ve sent your photographed art off to us and send good ‘buy-my-prints-please’ vibes out to the universe.  Getting your artwork ready to sell isn’t difficult if you use the right means…and it isn’t costly either, especially once you start making the money back from your sold prints!

Have you considered it yet?
So you’ve got your website, you’ve made it look good, you’re happy with your biog; are you selling prints?  If you’re not, you could be missing out on income and getting a name for yourself as an artist!  The prints service run at The Artists Web takes the strain out of selling for you, yet there are some artists who still haven’t signed up for the service yet.  Here’s what you need to know and what you need to do to grab yourself some income and satisfaction that your work is now proudly displayed in the home of another!

So what happens?
It’s really simple; you decide which pieces of artwork you’d like to sell, prepare them for our prints system, upload them….and the rest is taken care of!  Your artwork Will appear on the Easyart website.  Easyart is Europe’s largest online art retailer, selling thousands of prints every day to Europe, the UK, America and Asia, through various websites as well as their own, including art.com, leibermanns.com,barewalls.com and allposters.com. And this list could grow; we are working to find more and more outlets where your work is being published, enabling you to sit back and reap the profits! If a buyer decides he or she wants to buy your art, the whole process is done through Easyart’s professional, friendly service – so none of the dull stuff like packing and shipping comes your way.  Your buyer will select which frame they want, how they want it delivered and make their payment securely to Easyart.  Easyart will ship your artwork directly to your buyer and also deal with any (hopefully non-existent!) returns.

What about commission?
We charge you no commission for this service at all.  Nowt.  Not a bean. (You get the idea!).

How do I get paid for any work that I sell?

Each month, The Artists Web will pay you the money you’ve earned from selling your prints directly into your account.  There is no need for you to do anything – just enjoy looking at your account balance!  You can find out more about commissions with Easyart and payments in the Print Agreement: http://www.theartistsweb.co.uk/Print-Agreement

So now you know how simple it is, read on for more in-depth descriptions of how to get your artwork ready to turn into profit-making prints and how to maximise your opportunity to sell.  You want a career as an artist?  Selling prints is just part of it.

What do I need?

You need a website with The Artists Web to sell your prints; if you’re a trial member, seriously look into selling with us as it’s a great deal and commission-free.  You’ve got two weeks – it’s easy to get going and you could use your free fortnight to make some money!  If you’re a paid-up member but haven’t yet investigated selling prints, you can start the Print Program whenever you like.  You’ll need print-ready art……see below.


Your prints

These need to be high-resolution, high-quality and print-ready, with no cropping needed.  We advise that you seek a photographer to ensure that all the art you want to be put up to sell is ready to go.  This may sound like a bit of a mission but it really isn’t and doesn’t cost much to get done.  You may be able to seek the help of a photographer friend or if you think you know how, have a go yourself.  Once you know how to do it, that’s it!  You can apply it to your other future work and need to do nothing else on that side of things. To get more details on the exact sizing requirements for selling your prints, follow this link:

(http://www.theartistsweb.co.uk/Print-Agreement)

Then scroll down to ‘Print Submission’ and under that you’ll find ‘Image Acceptance Criteria; it’s got all the measurement information you need! If all that sounds a bit technical for you, call in some professional help….it shouldn’t cost too much and it’ll take all the effort off you.

To source a photographer:
simply look online for one in your area and give them a call or drop them an email with your requirements.  It’s a
good idea to get a few quotes first to get the best deal.  You can email him or her your artwork and they can email it right back once it’s done….so it’s really a painless procedure and worth taking the time to get done.  Once they are done you can use them for prints and other applications in the future.

To have a go yourself:
You can have a go yourself if you’re very strapped for cash or you feel you could do a good job.  It is very important that you adhere to the criteria required for prints; resolution and size must be within the limits. Check the criteria in the Print Agreement (link is above in the ‘Your Prints’ section). There are also many tutorials on the internet with helpful hints on how to photograph your artwork.  They may not necessarily be focused on print production, but the techniques are good and you can check you’re adhering to the correct criteria regarding megapixels and so on in the Print Agreement on The Artists Web.  Here are some links to some good tutorials on the web which you may find useful:
http://artlinkswap.org/photographing_art.shtml
http://www.bermangraphics.com/digital-jury-resources/photographing-art.htm
http://www.artistterms.com/artbusiness/promotion/photographingpaintings.htm


Sell, sell, sell!

So you’ve decided which work to put forward, got them beautifully prepared in the right resolution and size – is that it?  Well not quite – you’ve got to let the buyers know exactly where to find your artwork and how much they can buy it for.  So many of our members don’t realise the potential of loading their images with information until they realise they’re not selling as much as they’d hoped.  Potential buyers will scour artwork because they WANT it.  They are prepared to part with their hard-earned cash for some lovely piece to hang on their wall….so make sure thhey find YOURS!  It’s easy to do this: when uploading your images for prints, simply fill in all the fields required.  Include a description, the medium, the size of the work, the price, tag-words (if, for example, your painting is of a red dog in a green field, add the tag words ‘red dog’, red’, ‘dog’, ‘green field’, ‘animals’, ‘countryside’ and so on).  Any phrase you feel might bring up your artwork to the attention of somebody searching for a nice painting of a green field….but who, upon seeing yours, is so struck by the red dog as well that they just have to have it!  It takes just minutes to do but it ensures that your artwork will be flagged up far more often to prospective buyers.

How much can I make?
Please don’t forget to add the price….you know how annoying it is when you finally find THAT item of clothing you adore and simply HAVE to have….and then there’s no price tag and no sales assistant instantly available to ask?  Well, don’t put your customer through that same irritation!  Many of our buyers search by price so make sure it’s on there.

Quality or quantity?
Should you only put one or two choice pieces that you’re particularly proud of or confident about up for sale?  No!  You should go for lots of pieces.  The painting that you think is just ok may be the ideal piece for somebody’s living space….remember that your audience will view your work on an individual basis…so cater for as many of them as you can.  You may be very pleasantly surprised by just how popular some of your personally not-so-favourite works may prove to be.

Ok….NOW am I done?
Yep!  It may seem like a few steps to do the first time around….but trust us, once you’ve got the hang of it (like anything) it will become second nature.  And it’s a great thing to get into the habit of doing.

What if I don’t sell a single thing?

Well, it’s like the car boot sale I tried to do last week; I took down so many great items I was already planning what I’d buy with the profits….and I sold three things, for a huge sum of £8!  Some days you rake it in, other days you see no extra income.  Selling your work depends on so many factors, not just your talent.  The current economic climate may well have an impact.  The time of year too (Christmas is a popular time for hugely obvious reasons!) will affect the amount of people looking online to buy.  You can always run yourself a checklist if you’re having no success whatsoever though:

* Have you priced yourself realistically?  Charging way over the odds for your work (no matter how astounding you
may consider it to be!) can obviously put people off.
* Is your website up-to-date and well-maintained?  Don’t underestimate the importance of having an attractive,
informative website as people who buy your work will almost certainly check out your site to find out more about
you and your work.  Keep your exhibition details current, your biography friendly and interesting and your artwork
easy to see and all priced.  Look as though you’re serious about your art and buyers will take you seriously too.
* Are you sure your artwork is completed with ALL details, not just price?  Double-check this point!  So many of our
members have thought they’d completed everything but hadn’t. And it makes all the difference.  Meta-tags, price, size,   medium, materials used – it’s all valuable information to an art buyer.

Once you’ve got your work print-ready and made your first sale, you’ll be glad you took the time to have a go!  It’s a free service so you’ve really got nothing to lose – and everything to gain!  Good luck!


3) ARTIST’S SITE OF THE MONTH

This month the website of the Scenic Art Co. is my pick.  This website covers the works of a number of artists who make up the company, but I really like the way they’ve done their site. Firstly, the images they’ve uploaded are clear and well-photographed. Always a bonus…it’s frustrating when you have to squint to get the full effect of a picture or if the impact of the work is lost due to a blurry focus!  Secondly, a lot of their work is big…quite literally.  We’re talking 35ft by 20ft backcloths, murals and cut-outs.  This could be quite difficult to convey in a picture without losing the detail or the depth of the image, but they manage to capture the full effect by having close-up of the detail (like Lou Reed on gauze), followed by a picture of the gauze being used in it’s final setting on stage.
The Scenic Art Co.’s site gives enough information on the homepage and in the ‘About Us’ section to convey that they are successful, busy and, from the companies they work for, quite probably leaders in their field.  But it’s done without self-congralating back-slapping, which, although maybe quite deserved, I find to be off-putting and unnecessary when I find it on the sites of some artists; surely the audience should deliver the praise and congratulations, not the artists themselves?
All in all, The Scenic Art Company’s site is uncluttered but clear, straightforward yet informative and understated  but impressive.  Clear images, well laid-out, well-photographed and therefore not needing reams and reams of text to help it out.  Thumbs up from us, guys!
For a closer look, check out their site and their amazing work for yourself!
http://www.scenicartco.co.uk/


4) WHAT’S WORKING IN THE ARTISTS WEB?

It’s clear from our monthly stats that you’re liking:
* Arts Jobs Page…we keep this updated as the jobs come in so keep checking for opportunities!
* Spotlight – our regular interview with selected members is still a popular feature.
* Our interviews – Fraser Kee Scott was a popular one, as was Paul Blake.  More coming soon with some prominant
figures from the art scene so keep reading!
* The Artists Web Newsletter! Hurrah!

5) COMING UP NEXT TIME……..
* ‘Straight From The Artists’ Mouths’….straight advice straight from fellow artists!
* Art Shows – the best coming up this year, why you should be taking part and what it involves.
* Art Courses – could you benefit from one?  Could you run one?  The view from both sides.
* The next Artist Of The Month
* Another good excuse to make a cuppa and have a read!

Please send any feedback/responses/ideas/news you might want to include in the Newsletter to:
jordan.adams@theartistsweb.co.uk

The Artists Web Newsletter November 2009

January 27th, 2010 by jadams

In this Issue:

1. Art Competitions 2010

Where they are, why you should enter and what you need to know!

2. Becoming self-employed

How to do it, legal requirements, keeping it simple & making art
your career!

3. Artists Site Of The Month

Whose it is and why we like it!

4. Maximise Your Website

For top tips on getting the most out of your website, read this!

Put your feet up, lay down the paintbrush, make a cuppa and have a good read.

1. ART COMPETITIONS 2010

Art competitions are everywhere. There are so many going on at any
one time that it’s relatively difficult to keep track of all those
that are coming up. Entering an art contest, whether it’s being hosted
by a council, a gallery or a website online can prove to be a daunting
prospect to an artist who’s perhaps never entered anything of the sort
before. Yet it can provide invaluable experience, exposure and who
knows – you might just win something!

**To pay or not to pay?**

Many juried art competitions charge an entrance fee for artists to
submit their work and enter. This can prove to be a very real problem
for financially-struggling artists and can also prove to be the
nail-in-the-contest-coffin for those who were jittery enough about
entering in the first instance. So why do the organisers charge such
fees? After all, hopeful authors are not charged by potential
publishers to submit their fledgling manuscripts. Organisers argue
that it is costly for them to exhibit submitted work and for the panel
to jury the event. But surely this cost shouldn’t be saddled onto the
artists they are encouring to enter? Unfortunately it is a topic which
divides artists and organisers alike; some artists flatly refuse to
enter contests charging a fee whilst others think the exposure and
opportunity is worth it – and some organisers as a rule never charge
fees whilst others defend their decision to do so. It is ulitimately
up to the individual as to whether they go ahead or not. If you feel
that the competition is just too good a chance to miss but you’re
still struggling with the entrance fee, you can always voice your
concerns direct to the organiser. If enough artists feel the same way
and speak out, it may well bring about a change in future rules! It is
wise, however, to find out the following when considering to part with
your cash for the chance to enter such a contest:

*  Is the prize fund substantially adequate in comparison to the
entrance fee? If you are being charged £30 to enter yet the prize is
only around £100, would you feel it worth your time and effort?
*  Is the competition big enough to warrant a charge? Small-scale
contests shouldn’t charge for entries or at worst should charge only a
nominal fee; otherwise entrants could feel they may end up profiting
the organisers!
*  Who is on the jury? If an influential figure in the art world is
judging the work, or even someone you have always greatly admired or
been influenced by, you may feel that the opportunity to expose your
work to them may be well worth an entrance fee!
*  Can you afford it? You may want to check the requirements of any
other contests you are hoping to enter, otherwise they could soon
mount up.

**You’ve decided – you’re going for it!**

Once you’ve decided to enter, you need to check the entry
requirements with a fine toothcomb. Make sure you’re very clear on the
format required, theme, file size if submitting your work online or
electronically, that the competition extends to you geographically,
that you can make the deadline without reducing yourself to a
whimpering heap and that you feel it is a good opportunity for you.
Try to focus on the positive aspects; namely the exposure your art
will get, being able to guage the standards out there and any areas
you may need to work on in the future if you’re not selected which
will only benefit you as an artist, the confidence boost it may
(and hopefully will!) give you – and the chance that you
might just win. Getting your art and creativity seen is what most
artists strive towards and taking risks is part and parcel of the
journey. Art competitions can provide you with a valuable platform and
the more you enter – the more your name and your work will become
recognised.

If the voting is being done by the public, don’t be put off by
questions that might arise in your head regarding the artistic
knowledge of people who may vote….you never know who is looking at
your work in these instances and reaching out to as vast an audience
as possible is important. And if it is a public vote – tell everyone
you know!

**Where do I find out about art competitions?**

The internet is the obvious source for this, although don’t neglect
your local community. Check out venues in your area which host art
courses, the local library, word-of-mouth amongst your artist friends
and the local paper. Online, there are various sites which advertise
art contests (some of which we’ve provided links to below). Check in
on these regularly as art competitions are running pretty much all
year round. The more you network, the more opportunities you will find
out about.

http://www.theartlist.com/
- this is a great resource with frequently updated details and
international opportunities.
http://www.britisharts.co.uk/competitions.html
- does what it says on the tin! UK comps divided by season.
http://www.asingularcreation.com/
- a good resource for contests, competitions and calls for art.
http://www.kinderart.com/contests/
- art and writing contests for children (plus their parents and
teachers!)
http://emptyeasel.com/misc/art-contests/
- lists some important art competitions
http://artdeadline.com/
- more opportunities! You can either browse some free listings or
pay a membership to have results posted to your email to cut down on
your search time.

Select your favourite works and go for it…..you’ve nothing to lose!  Good luck!

2. BECOMING SELF-EMPLOYED

If you dream of selling enough of your art to be able to leave the rat-race behind for a life of indulging in and reaping the benefits of your passion, you’re not alone! Many artists have a day-job to keep afloat and fit their art around what little time they have left. It can be a very daunting propspect to leave your job behind and concentrate solely on your art as your main source of income. You may worry that you won’t sell enough art, your income will be too erratic and that you’ll get into financial difficulties. Yet the fact that you’ll be able to focus ALL your working time on doing the thing that you love can make a huge difference. You’ll have time to market yourself, exhibit more regularly, get your website looking its best and of course concentrate on your art.
Once you’ve decided to go for it, whether it’s part-time or full-time, you’ll need to register yourself as self-employed. This is crucial and a legal requirement – you can’t sell art if you don’t do this! – so don’t start trading without having completed the process first! Before you register, you need to make sure that you have the skills to manage yourself and the commitment. It can be very rewarding to be your own boss but it certainly isn’t without it’s challenges! Here are some things to consider before taking that step:

Is this what you want to do?
You don’t have to be 100% sure but if you’re 50/50 you may need to recondsider: the first year can be challenging financially and personally and it really helps if your heart and mind are totally committed. Setting up on your own can put a strain on your personal relationships. You’ll be working long hours and juggling so many balls at once you may feel you’re about to drop the lot at any given moment! You’ll need the support of family, friends and your partner if you have one. If you have children, you’ll need to make adjustments to your time with them – do you have babysitters you can fall back on? Are you going to have to collect your children from school every day if nobody else can? If so, can you get enough work done during the week to earn sufficient money to keep afloat? If you’re worried, make plans before you begin.

Do you have children?
Tell your friends/family/partner what you intend to do and keep them informed as you go along so they can support you. Try to work out early on a plan for childcare if it’s applicable to your situation. Are there after-school clubs your children could join to allow you to work a bit longer? Is your partner able to and happy to make adjustments to their hours to take on some of the jobs you may have done up till now? Can you afford to pay for extra childcare if it’s needed? If you aim to enlist your family’s help, make sure that you communicate clearly how long you’ll most likely need their help and agree to re-assess after a period of time if you need their help for longer than you intended; that way everybody will be clear on their role and nobody will feel awkward that it’s getting a bit much but they’re not wanting to say. As you settle into your new working life, you’ll most likely find that things settle down into a routine and these issues resolove themselves with welcome solutions – be as flexible as you can as you go along and above all, don’t feel guilty if you find your time with your children is cut much shorter than you’re used to! Setting up is difficult but the pay-offs can be huge in terms of finance, personal satisfaction and work/life balance once you’ve got things under your belt.

Can you handle working alone?
If you’ve worked in an office or similar environment up till now, working for yourself may come as a bit of a shock! You may be lucky enough to find workspace in a shared studio but if that’s not a possibility, you need to be prepared for loving your own company for a while. Setting definite work times for yourself can be a help; that way, if you’re feeling the need to communicate with other people, you know that once a certain hour arrives and your work is done, you can reward yourself with a cuppa and a chat with a friend! Getting out and exhibiting can break the monotony of studio work and be a great social opportunity – not discounting a great networking opportunity. Or you may find that you can fit in time to join an artist’s group; just because this won’t generate income in itself doesn’t mean that it won’t benefit you in your working life. Keeping in the loop with other artists can lead to great opportunities to network, such as private viewings, gallery openings and exhibition invitations.

Are you ready to lose your perks & gain an overdraft?
Being self-employed gives you freedom with working your own hours and without a boss breathing down your neck – but it also takes away paid holiday, pension schemes, bonuses, work parties, pay rises and promotions! You may find yourself devoid of a holiday for the first year or two if you don’t have enough in the bank to pay for it so be prepared for this. However, it doesn’t mean you can’t take a break! It’s crucial that you take some time out for yourself the first year as you’ll certainly need it. Even if you can’t afford a big holiday, look at visiting friends in the UK or even just staying at home, taking the work phone off the hook and indulging in doing nothing! If you budget efficiently you may find getting you-time is easier than you thought.
Speaking of the bank – do you have savings you can fall back on during the first year? Setting up in business is notoriously stressful financially as you establish your position in your new work environment. You may need to look at a business loan or overdraft to carry you through – and if you do this you need to make sure you can afford the monthly repayments. It’s a good idea to look around at various schemes banks run to help small businesses setting up. They often offer low-interest overdrafts and loan arrangements tailored to meet the needs of those starting up. Having an overdraft if you’ve not needed one before can feel like a negative progression, but always bear in mind that this is a means to an end and once you’re profiting from your business, you can start to repay loans/overdraft payments and then start to reap the benefits of your profits! Having a loan if you need one will enable you to invest in areas of your work that will help you look and feel professional and confident. It’s better to invest in areas that you feel will guarantee a return rather than struggle financially with constant worry that you’re not looking or presenting your art to the standart that you feel comfortable with.

Personal skills that can smooth out the bumps!
Working for yourself can reveal personal skills that you never realised you posessed. If you’ve been used to working in a team environment, whether in the workplace or at art college or university, you may find the transition to working for yourself a strange one.  The following qualities can help you on your way to presenting your art confidently, enthusiastically and in a way that draws potential buyers in.

* Self-confidence. Don’t apologise for your work; believe in it, believe in yourself as an artist and try not to compare yourself to others; it’s YOUR work you want to sell, not anybody else’s. A buyer can be inspired by an artist’s passion and belief in their work and your enthusiasm can prove to be infectious!
* Commitment. Agree from the outset that you’re going to be in this for the long-haul. There will be peaks and troughs during your first year but don’t expect everything to run smoothly – and when it doesn’t, don’t bail. Try to tackle each problem head-on and with a calm mind and objective to find a solution. That way you’ll find yourself coping with the good and the not-so-good which is essential to staying the distance when you’re self-employed.
* Initiative. You’re about to become your own boss, PA, publicity officer and admin staff! You’ll need to market your art to the public; use your imaginiation and take up any offer that comes your way, no matter how insignificant it may seem at the time. Word-of-mouth can be a great tool for getting your art out there. Make sure you have a website, business cards so people can look you up after seeing your art at an exhibition and so you can hand out to anyone you feel may be able to help you progress, a portfolio that is up-to-date and time to invest in marketing. It’s no use being the best artist in your area if nobody knows you’re there! Take initiative and sign up to galleries; getting invites to private views can be great for networking and getting an introduction to the gallery itself. Get involved in local exhibitions. Hold one of your own and notify the local media. Use any tactic you can think of but have fun with it and think outside the box!
* Being resiliant. You may come across criticism (constructive or not), setbacks and pitfalls along the way but try to stay focused and positive. Be able to take criticism. Be able to acknowledge when you’ve made a mistake, learn from it and put it down to experience. When the going gets tough, keep going and stay focused on whatever end goal it is that you’ve set yourself; whether it’s art-world domination or just a happy work/life/art balance with enough in the bank to enjoy your life!

Being self-employed has it’s moments. Long hours, tax returns (ugh!), accounting, working alone, no paid holidays – but the rewards can be huge. You work when you want. You do what you want. You can attribute your access to nobody but yourself and work wherever you choose. It’s a lifestyle many envy so keep at it, believe in yourself and in your art and celebrate every little success that comes your way! Enjoy the journey.

Next Month: Registering, National Insurance Contributions, accountants and tax returns – all the fun stuff!

3. ARTISTS SITE OF THE MONTH

This month’s fave site is (cue drum roll……) – Lindi Kirwin!
Lindi has been a member of The Artists Web since 2007 and her site reflects her passion for the art she creates as well as the beautiful aspects of her work! Lindi works in a variety of mediums; dry-brush acrylic, oils, mixed media and pen illustration. Lindi’s site is a perfect example of just what you can achieve with a website of your own; it has not just been used to display her work for sale and that which has already sold – it also gives a great insight into Lindi as an artist.

Points we really like!

  • Lindi’s site includes a detailed biography, outlining her artistic background, her inspirations, her passion and contact details, followed by a fascinating mini-feature about one of her works bought by Dragon’s Den entrepreneur, Theo Paphitis!
  • Each medium is given it’s own section with clear, beautiful images, explanations of how she achieves the effects and information of how to view more.
  • A clear exhibitions page (featuring both past and present) – great to keep up-to-date to encourage those taken with your work on the site to see it ‘in the flesh!’.
  • An interview! What a good idea….a real insight into Lindi’s personality and work as an artist. She also offers some tips for other artists here.

All in all, a great site; informative, fun, well-managed, clear and with lots of pictures of the all-important art.

Great job, Lindi!

To see Lindi’s site for yourself, follow this link:http://www.lindi-kirwin.co.uk/

For some tips on how to maximise your own site, read below.

4. MAXIMISE YOUR WEBSITE!

You’ve signed up, you’ve got your site – but is it working as well as it could be for you? Are you selling as much as you hoped you would? Are you not sure what’s wrong? There are a few simple things you could do which could turn things around pretty quickly! Read on for our tips on how to get the most out of your site.

Upload and update!
It may sound obvious, but make sure you upload lots images of your art, whether it’s up for sale or not. For a buyer or even somebody just browsing artwork, to click on a site filled with clear images of art is a treat. It entices them to look at other pages on there, to see what else you have on offer. A ’sold’ page is helpful; all other art should be separate so the potential buyer isn’t confused as to what is and what is not on offer. ‘Sold art’ pages also validate your success! Always appealing!
Keeping your site up-to-date is crucial; if left untouched for too long you may appear to be not trading anymore. Anyone who has favourited your site will likely check back periodically so keep new work listed to keep their interest!

Make it very clear
Ensure that your images are clear to look at and not blurred, cropped or too small. Once a viewer clicks on a thumbnail of a picture/artwork they’re interested in, it will expand to a larger picture – but if the file size was wrong when you uploaded it, this bigger picture could appear grainy or blurred, which is not what you’re after when trying to seal a deal! If you’re in any doubt about file sizes, check on The Artists Web under the Wiki (listed under ‘Resources’) – all you need to know is right here.

Biographies are your spotlight!
Make sure you have a biog. An interested viewer or buyer will want to know about YOU as well as your artwork. Don’t be afraid to list what’s inspired you, your passions, and your favourite point about being an artist. Make it personal; your art is a huge reflection of you and the more you present yourself the better. Include any awards/prizes you’ve felt proud of, any achievements which proved to be a real turning point in your career – don’t shy away from promoting yourself as well as your art.

Info, info, info!
When it comes to images of your art, it is imperative that you’ve filled in as many details on the ‘upload page’ as possible if people are to locate your work on the web. Tags act like flags which help a buyer interested in your genre of art to find you amongst the many others who are also producing work of that genre. When a viewer searches for artwork on The Aritsts Web, the words they put into the search engine will only match up with artwork that has those words in their tags, which the artists puts in when he/she uploads them. Additionally, once a potential buyer has arrived at the work he or she is interested in, it is very frustrating if there is no information such as size, price, medium, title and so on attached to it! Some artists skip writing the info when they’re starting up their site, thinking they’ll come back and do it later – after which it’s easy to forget to go back and do! So take the time as you go through the setup process to fill in the blanks…it will save hassle for the buyers later on and make your site an enjoyable one to browse rather than a frustrating one!

T’s & C’s
Don’t forget these! An interested buyer will need to know your terms and conditions so make sure you include them.

Have fun with your site…take the time to update it regularly and keep it informative and inspiring and you’ll be attracting page hits like bees to the honeypot!


COMING UP THIS MONTH ON THE ARTISTS WEB…..
We hope you’ve read (and enjoyed) our interview with renowned sculptor, Richard Wilson, who so happily (and kindly) gave up some of his gold-dust time to speak to us about his work. Hot on the heels of our interview with Richard, we have the art gallery owner who is famous for picking out the great-and-good artists-to-be before they’ve hit the big time. Fraser Kee Scott owns ‘A Gallery’ in London’s Wimbledon and has a fascinating outlook on art and its place in the world today. The ex-chairman of Tate, Paul Myners, said of ‘A Gallery’; “I don’t see what is so different here (in A Gallery) than in the Tate”. High praise indeed! Make sure you look out for our chat with Fraser on the Blog very soon.

Our next ‘Spotlight’ interview is with Wendy Massey, who has been a member with The Artists Web for some time. Wendy’s insights into her work, how her path has progressed and her work/life balance makes for interesting reading!


WE’RE OUT AND ABOUT……
The Artists Web isn’t just about being online! We’re always out in the art world and making sure we’re seeing first-hand the amazing creations that are being produced. Look out for our reviews and reports on various private viewings and galleries – and if you’re attending any, drop us a line and let us know!


THE ARTISTS WEB ON TWITTER
Our Twitter site has been running since February this year and has already attracted over 4,000 followers! Make sure you log in and follow us – the more people we get to visit The Artists Web, the more art buyers we’ll attract, the more people will be browsing through your art….you get the picture!


COMMENT, COMMENT, COMMENT!
We love feedback! Good, bad and ugly – although the good’s always so much nicer to get! If you read and enjoy a particular article on our blog, leave a comment and have your say. It’s always great to know what you all think and helps us to channel our site to meet your needs and requirements more effectively. So don’t be shy. Also don’t forget the forum…always popular with our members…get in there and get advice/offer support/chat about your art with your fellow members.

That’s all for this month…we’ll be arriving in your inboxes again inFebruary!

Thanks for reading!

The Artists Web

Art Round

July 27th, 2009 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Untitled
Catriona Cornelius | website

15 images uploaded, painting mixed media
Acrylic Texture Artworks

interventions
Rhizomeatic Ugg | website

12 images uploaded, mixed media mosaics

Distant%20fields
Lindsey Power | website

20 images uploaded,

New Work Uploaded

1463 new items uploaded since 13/07/2009.

Count Price in GBP
929 Not Priced Yet
255 1 – 100
135 100 – 250
83 250 – 500
46 500 – 1000
7 1000 – 2000
8 2000 – and above

Some randomly selected new works:

  • The small Natural Coral Necklace
  • Red Centre
  • Sarah
  • Textile sculpture and porjection
  • untitled
  • Untitled

Most common tags since 13/07/2009:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }

Art Round

July 20th, 2009 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Distant%20fields
Lindsey Power | website

20 images uploaded,

Italian%20mountains
Stella Magarshack | website

9 images uploaded, painting sculpture
Paintings and prints

Wildcat%20-%20Untameable
Hal Lever | website

32 images uploaded, painting drawings
Diverse subjects

New Work Uploaded

1561 new items uploaded since 06/07/2009.

Count Price in GBP
988 Not Priced Yet
260 1 – 100
133 100 – 250
75 250 – 500
60 500 – 1000
23 1000 – 2000
22 2000 – and above

Some randomly selected new works:

  • Out of the Blue
  • The collector
  • butterfly
  • Daisy Craze Pendant
  • Paul Banning at Strood
  • Nicola Crawford at Craft Cases - Pendant

Most common tags since 06/07/2009:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }

Art Round

July 13th, 2009 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

The%20Illuminated%20Sleeper
Lynn Imperatore | website

58 images uploaded, drawings painting
narrative works…drawing, painting, mixed media

Steve%20Mcqueen
Daren Horwood | website

10 images uploaded, painting
I enjoy painting In the style of Pop Art

Feeding%20Frenzy
Tessa Charles | website

26 images uploaded, prints
printmaker

New Work Uploaded

1653 new items uploaded since 29/06/2009.

Count Price in GBP
996 Not Priced Yet
322 1 – 100
120 100 – 250
61 250 – 500
90 500 – 1000
39 1000 – 2000
25 2000 – and above

Some randomly selected new works:

  • butterfly 1
  • Winter
  • untitled
  • Gruene Hall 7, Study for A Good Time
  • Another view of the Olgas
  • Hunter - Nav

Most common tags since 29/06/2009:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }

Art Round

July 6th, 2009 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Steve%20Mcqueen
Daren Horwood | website

10 images uploaded, painting
I enjoy painting In the style of Pop Art

Feeding%20Frenzy
Tessa Charles | website

26 images uploaded, prints
printmaker

The%20feather
June Walker | website

17 images uploaded, painting drawings
I paint people and animals.

New Work Uploaded

1621 new items uploaded since 22/06/2009.

Count Price in GBP
1037 Not Priced Yet
242 1 – 100
135 100 – 250
98 250 – 500
67 500 – 1000
32 1000 – 2000
10 2000 – and above

Some randomly selected new works:

  • Standing in the Corner of the Room
  • Unfinished study
  • Twisted Candlestick (detail)
  • farmer
  • Fancy Dress
  • untitled

Most common tags since 22/06/2009:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }

Art Round

June 29th, 2009 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Steve%20Mcqueen
Daren Horwood | website

7 images uploaded, painting
I enjoy painting In the style of Pop Art

The%20feather
June Walker | website

15 images uploaded, painting drawings
I paint people and animals.

Dig
Adam Murphy | website

5 images uploaded, mixed media drawings
Professional abstract and representational mix media drawing and painting

New Work Uploaded

1464 new items uploaded since 15/06/2009.

!
Count Price in GBP
869 Not Priced Yet
274 1 – 100
150 100 – 250
103 250 – 500
45 500 – 1000
19 1000 – 2000
4 2000 – and above

Some randomly selected new works:

  • Old
  • Rhododendron
  • Vilification of Medusa - Unadulterated Rage
  • Seahorse
  • Muddled Thought
  • mullah ali (framed)

Most common tags since 15/06/2009:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }

Art Round

June 22nd, 2009 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

The%20feather
June Walker | website

15 images uploaded, painting drawings
I paint people and animals.

a%20drive%20to%20essex%20from%20whitstable
Gary Phillips | website

36 images uploaded, painting painting
a collection of large works , paintings,

Blossom
Rachael Woods | website

19 images uploaded, painting
Abstract paintings which are an expressive response to nature and life

New Work Uploaded

1308 new items uploaded since 08/06/2009.

Count Price in GBP
792 Not Priced Yet
287 1 – 100
90 100 – 250
71 250 – 500
40 500 – 1000
18 1000 – 2000
10 2000 – and above

Some randomly selected new works:

  • sample
  • View across Wastwater
  • Chaos in blue. By Caroline
  • Postgraduate Show 2009 *1, Lemba
  • untitled
  • 169792

Most common tags since 08/06/2009:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }

Art Round

June 15th, 2009 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Blossom
Rachael Woods | website

19 images uploaded, painting
Abstract paintings which are an expressive response to nature and life

Mountains
Kym Haverson | website

27 images uploaded,

Nursery%20Play
Louise Poulsom | website

45 images uploaded, drawings digital art
Children\’s book illustrator

New Work Uploaded

1538 new items uploaded since 01/06/2009.

Count Price in GBP
971 Not Priced Yet
232 1 – 100
124 100 – 250
110 250 – 500
74 500 – 1000
18 1000 – 2000
9 2000 – and above

Some randomly selected new works:

  • Les Musiciens 180.115 cm
  • Salt Kettle garden view2
  • Portrait
  • poinsettia and lily 1
  • 168402
  • eric

Most common tags since 01/06/2009:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }

Art Round

June 8th, 2009 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Purdah
Nila Panchal | website

6 images uploaded, painting prints

mountain%20landscape
David Williams | website

61 images uploaded, painting drawings
representational and abstract landscapes

Rose%20teapot%20%20green%20tray
Tina Balmer | website

7 images uploaded, painting painting
Figurative painter – mostly in oil

New Work Uploaded

1729 new items uploaded since 25/05/2009.

1048
Count Price in GBP
Not Priced Yet
318 1 – 100
154 100 – 250
111 250 – 500
78 500 – 1000
14 1000 – 2000
6 2000 – and above

Some randomly selected new works:

  • untitled
  • pheonix
  • Blue City
  • Hands  detail
  • Visitations and Rare Times
  • untitled

Most common tags since 25/05/2009:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }