Art Web Blog

Archive for April, 2008

Art Round

April 28th, 2008 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Abstract%201
Maria Kustosz | website

15 images uploaded, photography
Maria Kustosz, an artistic photographer, interested in many areas such as portrait, still life, documentary, abstract.

Waterfall%202
Lidia Borowska | website

14 images uploaded, painting
Art Painting

Black%20Horse
Teresa Hodges | website

23 images uploaded, painting drawings
Paintings of countryside, trees and animals

New Work Uploaded

1133 new items uploaded since 14/04/2008.

! Count Price in GBP
746 Not Priced Yet
176 1 – 100
105 100 – 250
57 250 – 500
22 500 – 1000
5 1000 – 2000
22 2000 – and above

Some randomly selected new works:

  • Dog Smile
  • French Cathedral
  • A Nasty Fall
  • Rain clouds - English Channel
  • Bob
  • untitled

Most common tags since 14/04/2008:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }

Queen Vic Gets A Helping Hand

April 24th, 2008 by chris

I was just browsing The Artists Web and stumbled across this page on
Laura Keeble’s website – and what a hoot!

Evidently she has made a variety of installations, this one in particular attracting some press!

Pointer
press clipping

Art Round

April 21st, 2008 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Waterfall%202
Lidia Borowska | website

14 images uploaded, painting
Art Painting

Swallowed%20a%20Cow
Tracey Long | website

17 images uploaded, illustration drawings

Yew%20Sleep%2011%20%28asleep%20in%20the%20wood%29
Mike Davies2 | website

26 images uploaded, wood sculpture
Authentic and finely hand carved Welsh Love spoons

New Work Uploaded

1502 new items uploaded since 07/04/2008.

Count Price in ! GBP
1009 Not Priced Yet
226 1 – 100
138 100 – 250
66 250 – 500
27 500 – 1000
12 1000 – 2000
24 2000 – and above

Some randomly selected new works:

  • Friesian
  • Venetian Canal
  • Jake
  • Sheet Ellipse Link necklace
  • zebra(pencil drawing)
  • Hyde Park

Most common tags since 07/04/2008:

#letter li { display: inline; } #letter li img { border: 1px solid #AAA; } #letter a img { border-color: #AAA; } .tinythumbnail { float: left; margin: 2px 4px; } #cloud { margin: 10px; background-color: #FFFAFA; border: 1px solid #DDD; text-align: justify; color: #333; line-height: 1.7em; clear: left; } #cloud b { display: block; float: left; border-right: 1px solid #DDD; border-bottom: 1px solid #DDD; padding: 5px 10px; margin-right: 4px; color: #AAA; font-size: 1.2em; } #cloud ul { padding: 12px; }

Do’s and Dont’s for scaleable image hosting

April 19th, 2008 by chris

If you’ve been reading my web technology blog, know what I’m up to or general stalking me in any other way then you’ll know I have been getting my hands dirty with hosting artwork and photography images for a number of years now. And from this experience I’ve decided to distill the following do’s and don’t list.

While this list is mainly geared towards high load situations, a lot of these points can easily be applied to sites of any scale, and you never know when your quite little blog is going to be hit by digg…


Don’t serve images via application (i.e. php etc.)

The keyword here is serve

I think it’s totally cool to use an on the fly image generation script, wanna tweak all the image sizes on your mega site by 1pixel, no problem: step 1) change a line in a config file step 2) no step 2! . In fact that’s the way I generally do things.

However there’s absolutely no reason why you should call this script more than one time per image. Yes I know you can handle caching in the script, but why bother? Write the images to disk and let your webserver do the dirty with caching etc. The way to do this is to ‘lazy load’ this script i.e call the script once when the first time it is requested and the rest of the time the image file is served as normal – lazy load means your server doesn’t get clogged up for hours regenerating all your images, they are only regenerated when requested. Anyway this is simple enough todo with a 404 rule or Url rewriting:

Diagram: Generate images with a script, but serve with apache (see tips below)
on the flyer image generation script


You can use a 404 script to send missing images, here’s how with a .htaccess file:

ErrorDocument 404 /generate_image.php

or an apache url rewrite rule:

RewriteCond $1 ^image
RewriteCond %{REQUEST_FILENAME} !-f
RewriteCond %{REQUEST_FILENAME} !-d
RewriteRule ^(.*)$ /generate_image.php/$1 [L]

Then in 404.php use the ‘REQUEST_URI’ server variable to figure out what the image is – hopefully you have some sort of unique key in the file name e.g.
/image/user/bob/23.jpg
and call your image generation script , here’s a brief php example (based on the 404 redirect).

//what image is this
$url = $_SERVER['REQUEST_URI'];

$bits = explode('/',$url);

if($bits[0] == 'image' && $bits[1] == 'user')
{
		$user = $bits[2];
		$image_id = $bits[2];
		generate_image_function($user,$image_id);

		//now redirect to the image etc.

}

Do use a CDN

Scatter your seeds.

A content delivery network helps speed up your page loads on many levels.

  • Images load faster if loaded from geographical near (to the user) server
  • Multiple server mean more images can load in parallel
  • It can free up resources on your application server (i.e. your website), as you can reduce the number of requests to the webserver, plus there’s no need to have a the webserver load all the bells and whislte your app needs (php modules etc.)

Poor Man’s CDN

A CDN sounds a bit scary and expensive, but if you simply move your images onto another server you’ll see a lot of the benefits already. As a simple poor man’s CDN you could do the following:

  • Set up few domains for images – subdomains will do images-a.mysite.com images-b.mysite.com images-c.mysite.com
  • Get hold of one or more other webservers (bog standard webhosting accounts will do)
  • Use your app or round robin dns http://en.wikipedia.org/wiki/Round_robin_DNS to randomly prepend your domains to your image urls e.g.

    http://images-a.mysite.com/image/user/bob/97892789.jpg

  • Copy/rsync your /image folder to the other server(s) with a cronjob
  • On the image servers have a 404/urlrewrite rule that sends the user back to the original server for images that aren’t yet copied across.
    .htaccess example:

    RewriteCond $1 ^image
    RewriteCond %{REQUEST_FILENAME} !-f
    RewriteCond %{REQUEST_FILENAME} !-d
    RewriteRule ^(.*)$ http://www.mysite.com/$1 [L]

This will work even if all the domains are on the same server (but different to your app) and aliasing to the same directory, plus it sets you up ready for exansion later when you really do need to break out onto multiple servers.

Poor man’s content delivery network (for images)

Poor man’s CDN plan B – Amazon S3

Well this could perhaps be the plan A, as you’ll see in the point below S3 could act quite nicely as a CDN being a geographically dispersed set of redundant servers! I think my main concern would be the potential for the bandwidth costs to rise, they’ll be cheap enough to begin with, but it seems to me the cost scales closely with the bandwidth – if you compare 5TG monthly transfer: on S3 = $900 to dreamhost = included in basic plan.


Do host data sources (precious original images) on a third party infinite disk

Multiple redundancy, infitite scalability, gourmet almond croissants

If you’ve got some funky image auto regeneration going on, or you simply want to store higher resolution ‘originals’ then you’ll need a large warehouse and caretaker to look after then. Ideally multiple redundant replicated warehouses and caretakers in case one gets suicide bomber attacked etc.

When I started The Artists Web I realised storage would be the first bottle neck I’d hit, so I quitely hoped the problem would just go away. In fact it did just go away because one day I discovered Amazon S3, moreover I read on Don MacAskill’s blog that his company switched over in about a day. So did we.

Amazon S3 is essentially an infinite network disk, I won’t go in to any technical details here but it’s cheap, easy to set up and spreads your data around the world in multiple redundant locations. There’s plenty of libraries, command line tools and a few commercial services to boot.


Don’t store images in a database

This is a japanese maintenance and back up horror film.

When I was planning a few years back, I remember reading forum threads debating whether it was a good idea to store images in a database. The reason I liked the idea of storing images in a database is centralization of data – no need to manage image back up separately. Arguments against seemed to be more about having to do your own caching, use of resources etc. However, you can out put cache headers from your scripts, write the (thumbnail) files to the file system etc. to get round all these performance issuses.

Nice as the central backup idea is, the problem (as I learned the not so easy way) comes when you have more than a few hundred images – you have a Ghostbusters Marshmallow man crossed with a cow size database to back up. Even if you’re running backups off a replicated slave, your database is (most likely) many orders of magnitude larger than it needs to be which leads to all kinds of headaches. For instance disk space, restoring from backups or simply running a simple optimize table routine on a 100GB table is not my idea of a nice cron job (pun intended). And this feels somewhat like trying to swim with a pointless cow handcuffed to your ankle when the rest of your data is less than 48k (well, okay 480MB). There may be some reasons why ‘enterprise’ databases (oracle?) don’t mind this kind of cow sitting inside them, but I only have experience of ‘toy’ databases like mysql.

Don’t store your images in your database kids.


Do use a class/function to get image urls

Save headaches later on.

Your image url schema is probably simple, something like : /images/username/size_imageid_imagename.jpg. So is it really worth having a function/class to generate urls? Well it’s certainly not going to hurt and is going to save time later on: want to shift to a CDN? substitute smaller images for mobile devices? serve the image from a different server depending on geographic location of the user?, no problem, most of these could be done with a few lines of code added to the image url class.

//normal images
$image_url->get_image_url($image_id);
$image_url->get_user_avatar($user_id);

//mobile devices? piece of cake
$image_url->set_mobile_device();
$image_url->get_image_url($image_id); //returns url to smaller image size
$image_url->get_user_avatar($user_id); //ditto

Do use a config file for image sizes

If you’re following the above rule, then you’ll probably be doing this anyway:

class image_url ()
{
		var $tiny_thumbnail_size = 30;
		var $thumbnail_size = 200;
		var $image_size = 400;

		/* etc. */

}

Simply make sure you only need to specify your images sizes in one place.

That’s it (for now)

Well I’m sure I’ll be back to add some more points, in the meantime hope you find this a useful read and look forward to your feedback!

Opportunity for Artists in the South

April 19th, 2008 by TAW

Opportunity for Artists in Hampshire
A new art space is set to open in Southampton this autumn.
Spice Art Studios Ltd [situated in a beautiful old pharmacy building] seeks to offer professional artists a range of professional services.
There will be a dedicated sales based gallery space managed and currated by an experienced team to the highest level, reflecting the quality and value of all work on show.
The gallery contents will include works from all manner of 2D and 3D practises, both one off original works and limited editions.
We are currently seeking Hampshire based artists who would like to have their work considered for exhibition.
We are also going to run a diverse programme of classes and workshops where creative skills and experience can be passed on to paying members of the public, and other groups, who wish to engage with positive aspects of arts production.
We are therefore seeking professional artists to bring their skills to our workshop programs.
If you have any interests in the services listed in relation to your work and progression as an arts practitioner then please write including your contact details to:
mailto:tracey@spice-art.co.uk or post to Spice Art Studios Ltd, 47 Spring Road, Sholing, Southampton, Hampshire, SO19 2QD.
Please include some examples of your work either as JPEGS 300dpi or as prints.
Thank you for your time, we look forward to hearing from you.

Art Round

April 14th, 2008 by chris

Welcome to the latest edition of Art Round!
This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Swallowed%20a%20Cow
Tracey Long | website12 images uploaded, illustration drawings

Yew%20Sleep%2011%20%28asleep%20in%20the%20wood%29
Mike Davies2 | website26 images uploaded, wood sculpture
Authentic and finely hand carved Welsh Love spoons

WInter%20Morning%20Dungeness
Karl Terry | website33 images uploaded, painting
En Plein Air Paintings

New Work Uploaded

1443 new items uploaded since 31/03/2008.

Coun t Price in GBP
969 Not Priced Yet
251 1 – 100
146 100 – 250
48 250 – 500
11 500 – 1000
7 1000 – 2000
11 2000 – and above

Some randomly selected new works:

  • Angelic
  • YOU WILL NOT BE HERE FOREVER
  • David Webb Residential
  • 41 ELM HILL WHARF – BYGONE NORWICH
  • Premier Cabs
  • Glacier

Most common tags since 31/03/2008:

Tags:

Finding Art Courses

April 11th, 2008 by ahindson

A very warm April greeting to all members of The Artists Web! This is the April edition of Artists Newsletter, your monthly source of information and news.

Finding Art Courses

For the artist who may have just rekindled their love of for art and is turning hobby to profession, or the professional artist looking to hone their craft in a particular area, finding art courses to suit you remains no easy task. The Artists Web is constantly looking for quality schools which our artists recommend from experience, but here, we’d like to instead focus on critical areas to research and feel comfortable with before making the (often expensive and most often lengthy) commitment.Main criteria to look for when deciding on which course to choose are:

  • Price and location.
  • Effective teacher/student relationship,
  • Your goals match the proposed goals of the course
  • Continuation- Taking the skills home

Price and Location

We advise not simply looking at the fee structure of the course provided, but also to look into greater detail as to what the value added services are. Many more expensive course fees may make the budding artist balk, but it is important to investigate further; what does the school offer in the way of materials / training / open days / exhibitions? Remember that a more expensive school may provide materials and tools which are of a higher quality and standard, translating to your creation being a longer-lasting and more attractive artwork. With relation to exhibiting, schools with gallery affiliations or an attached space of their own are often a good way for the burgeoning artist to gain valuable exhibition experience.Location is also another crucial factor. Of course proximity to your home is important as it is highly likely that you may be transporting canvases back and forth from your class to your home. Much more than that however, is the class spaces itself. After all, this is the place where your creative thinking should be able to shine. Comfort, warmth, and an open space with plenty of light to work in can only be assured after visiting the site; something we highly recommend doing before joining an art class.

Effective teacher / student relationship

Like any other process of self discovery, taking art classes is an important and personal journey, within which students need to be encouraged and strengthened to achieve their goals. The relationship between teacher and student in the field of art is very different from another skill whereby there may be a correct or incorrect answer. In fact, no matter the level of skill, artists in training need to confirm that their learning style suits the teaching style of the instructor.Some students learn most effectively when classes consist of very little dialogue between teacher and student, and the majority of time being attributed to working on their piece. Other less experienced artists may find too much unstructured time irritating, preferring instead to receive detailed instructions on technical processes. To combat these variables being a problem later in the class, we advise meeting your instructor personally and discussing your own goals prior to commencing. One option as well is to ask to sit in on a class of your appropriate level. Pre-exposure to the instructor’s teaching style will help you to decide whether or not you will be able to get the most effective results under this person.

Your goals matching the proposed goals of the course

Having a realistic goal or target before taking your course is a necessary step to take before joining an art course. Ask yourself, why are you taking the course? Is it that you hope to enter a tertiary institution and require a more professional portfolio of work before your apply? Are you interested in learning to pain in greater detail subjects like animals, plants and people? Is this just a hobby that a friend suggested you pick up for relaxation? After you have decided on your own specific goals (and we recommend doing a brainstorming session to attain what physically you would also like to take home after the course) it’s time to compare these goals with those of the courses you have chosen.Also look for the materials you are required to buy for the course: if you are hoping to improve your realistic representations of figures, you may find fieldtrips to the park for a still-life watercolor session and ‘getting to know gauche’ a little on the frustrating side. If you have a particular area of interest, make sure to ask the instructor about how much attention will be given to that area. In addition, if there is a piece that you would like to create, make to enquire about the final piece. These questions will satisfy not only your curiosity but also justify the money you are about to outlay.Another important thing to remember when choosing your art course is to find that perfect dynamic between the ‘personality’ of the course and your own. As budding Tokyo-based artist Belinda 43, describes, sometimes the best option is to find a school where your involvement levels are not all-consuming. She came to this conclusion after recently joining a school which involved activities she was not comfortable with, including presenting at Spoken Word nights, students taking turns to be live models for figure classes, and making extravagant costumes to wear for the end-of-year exhibition. ‘I felt that the classes and tuition really suited me, but I could not really opt in or out of the additional activities with ease,’ she states. ‘I don’t really take too well to dressing up or undressing in public.’You may want to keep your art at a limited time per week, without letting it impinge on your personal or work time. Remember to be clear with the instructor about what your goals are, as communication and research is key.

Continuation – The Importance of Skills Transfer

The right art course for each artist should be one which incorporates mediums they feel stimulated and interested in and be one that gives the artist the opportunity to utilize tools that may not be as easy to use at home- some examples are etching, sculpture and photography. Courses which incorporate complex or messy materials are great to be involved in, but the important thing to remember is that skills attained should be transferable to other mediums which can be done at home. Make sure to ascertain you are learning a process which can be applied to other mediums (such as shading, detailed drawing, cross hatching etc.).Well that just about covers it team! Make sure that you research your art course well and go with your gut feeling as to what is going to work best for you.

May 1st – New Site Launch Date

On May 1st 2008, The Artists Web will be launching the new site displaying some great new features. The site you know and love will remain, but here’s a preview of three of the improvements you are sure to love:

  • General redesign of site to enhance buyers’ experience (and make artwork sell better). The Artists Web has been slightly redesigned to include various new features including Comments on Artwork, Selling Prints with ease, and increasing traffic through our ‘favorites’ option being added.
  • Interviews Now our ‘Spotlight’ section will not only feature in the Artists News Section, but also on the main site area
  • Buyer Process Improvement The buying process will now be much more streamlined, adding ease and convenience to the buying process.

For more information, check out:
http://www.theartistsweb.co.uk/new_features_for_artists

The Artists Web in Tokyo – Design Festa

April’s Website of the month, is for the Tokyo Design Festa.
http://www.designfesta.com/index.html

The Tokyo Design Festa is a freestyle International Art Event open to all artists, both professional and non-professional from all over the world to exhibit their creative talent. Design Festa is the biggest art event in Asia, with approximately 53,000 visitors and 7,000 exhibitors. This art event is held twice a year at Tokyo Big Sight, the biggest event hall in Japan.As part of the upcoming Tokyo Launch of The Artist’s Web, THE ARTISTS WEB will be taking part in the 27th annual Design Festa Art Festival.a

design festa planTAW has decided to set up camp at Design Festa as we know it is the ideal place for us to showcase the work of our passionate artists who are looking for a great opportunity to show their artwork to a very large audience from all over the world. As well as the numerous art fans and music lovers who attend this event, Design Festa receives a high level of exposure from the media including the BBC, APTN, CBS, AFP, and Canal+, to name a few.As well as demonstrating the new japanese version of the website, we will be promoting members on the site to visiting buyers at Design Festa. We’ll be printing up and distributing 1000 postcards of selected members work, each with the members name and website. (Members chosen will of course be asked for their consent before hand.)Please make sure to check out the site and see where your artwork will be hitting the Japanese market soon!We’d like to leave you with this quote and wish you here’s to April being a fruitful and enjoyable month!

“The artist is nothing without the gift, but the gift is nothing without work.”

-Emile Zola

Thanks for reading and best regards,

The Artists Newsletter Team

Art Round

April 7th, 2008 by chris

Welcome to the latest edition of Art Round!This week we have included a round up of what’s new on The Artists Web

Welcoming Our Latest 3 Artists

Swallowed%20a%20CowTracey Long | website12 images uploaded, illustration drawings Yew%20Sleep%2011%20%28asleep%20in%20the%20wood%29Mike Davies2 | website12 images uploaded, wood sculptureAuthentic and finely hand carved Welsh Love spoons WInter%20Morning%20DungenessKarl Terry | website32 images uploaded, painting En Plein Air Paintings 

New Work Uploaded

1212 new items uploaded since 24/03/2008.!

Coun t Price in GBP
608 Not Priced Yet
244 1 – 100
261 100 – 250
61 250 – 500
20 500 – 1000
11 1000 – 2000
7 2000 – and above

Some randomly selected new works:

  • Sofia, Trouville
  • Shipwreck
  • Young Ballerina by window
  • dragon fly
  • Totem

Most common tags since 24/03/2008:Tags:

 

Striking Out

April 4th, 2008 by ahindson

Shirley Shelton exudes colour.

Looking at her strikingly unique work, it is not difficult to imagine that she was never one to sit back and allow adversity to floor the creative process (which she has now managed to turn into a successful career!). Like many artists, her experiences from as early as her childhood (influenced by many moves due to her father’s career) have helped to shape the depth and tone of her work, as art was an early release for a very trans-continental child.The experiences of travel and warm sunsets at dusk in her later years come through in the vivid shades and shadows of nature that she has mastered, and influence even the designs for new paintings, which Shirley has developed such a strong following for.

Attractive and carefree in nature, it has definitely been her strength of characther that has gotten Shirley to the position she is in now, where her art has become as easily recognisable as her bright and cheerful glow. Sitting in her Norfolk studio for this interview, we asked Shirley more about her opinions on modern artists, African inspiration and why she thinks the hard times in life will actually help to shape your success…

1) Thankyou for joining us at Spotlight, Shirley. Tell us first, what initially drew you to becoming an artist?

I’ve always been naturally creative. During my childhood we didn’t live in one place for any length of time because my father was in the Royal Air Force, this often left me feeling quite isolated with difficulties forming long term friendships so I would spend a lot of timepainting and drawing.

2) When did you know that it was meant to be your chosen career? And did you have any trouble grappling with the decision?
Art was my favourite subject at school and the only thing at which I really excelled, but I never seriously considered it as a career. I was employed in a variety of unfulfilling jobs until about ten years ago then I suffered a series of personal traumas and became quite ill with depression, having to give up my job I decided to spend more time painting and started to have increasing offers from people to buy my work, eventually as my confidence grew there was no question in my mind that I wanted to make it my full time occupation.

3) Your work definitely has a distinct flair. What inspires you most in your work?
Colour, atmosphere and mood. I absolutely love the drama of stormy skies and sunsets and I’m fascinated by the heat and colour of the African landscape, apart from that I like to store any interesting image I’ve seen in my head so that when I’m faced with a blank canvas my imagination and subconscious work together to come up with something interesting..

4) How do you think success can be defined artistically?
I think success is relative, artists we now consider to be successful often died in poverty and didn’t sell any paintings during their lifetime whereas certain well known artists of today have achieved fame and fortune for producing sensationalist rubbish and happened to be in the right place at the right time, success for me personally is simply that some people appreciate my work enough to want to buy it and display in their homes

5) Why did you choose your current location as a base?
I live and work in a picturesque part of rural Norfolk in the UK, I really appreciate the difference working in such a peaceful environment can make to my motivation, I originally started painting professionally in a fairly noisy and cramped flat in town whereas now the beautiful countryside constantly inspires me..

6) How do people react to your paintings, and what kinds of questions are you regularly asked about your work?
I think people are initially attracted by the warm and bright colours and quite surprised by the variety of subjects and techniques I use, I’m most often asked where my ideas come from.

7) Have you had any significant people help you get where you are now? If so, what role did they play in your success? (Ex: a supportive partner, a mentor etc)
I can honestly say I wouldn’t have achieved any level of success at anything I’ve done during the last decade if it hadn’t been for the care and support I’ve had from my husband.

8) How do you keep yourself motivated?
I’ve had a few people doubt me one way or another in the past so I think I’m largely motivated by a determination to prove myself, like many artists I do suffer from a lack ofself confidence and being a bit of a perfectionist I’m driven by a constant desire to improve.Shirley at work in her Norfolk Studio


We thank Shirley Shelton for her interesting and insightful answers and for sharing a little about the inspiration for her amazing work.To view more paintings from Ms. Shelton, we invite you to: www.sunsetcontemporaryart.co.uk.Congratulations Shirley, we wish you every lasting success.