<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Jason Adamson &#8211; Evolution of the bird people</title>
	<atom:link href="http://blog.artweb.com/2008/02/interview-jason-adamson/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.artweb.com/2008/02/interview-jason-adamson/</link>
	<description>Artist Centric Art Blog</description>
	<lastBuildDate>Wed, 10 Mar 2010 11:18:10 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: Fiona Stanbury</title>
		<link>http://blog.artweb.com/2008/02/interview-jason-adamson/comment-page-1/#comment-25316</link>
		<dc:creator>Fiona Stanbury</dc:creator>
		<pubDate>Fri, 15 May 2009 11:40:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.theartistsweb.net/news/2008/02/interview-jason-adamson/#comment-25316</guid>
		<description>I found your interview very interesting.  A lot of the issues you  mention are things I&#039;m also concerned with, as an artist.  (Most artists probably think about these issues.)  Especially interesting is your description of the creative process.  I also work in series and find that all kinds of elements from my environment affect me and enter my work in many different kinds of ways.  I think it&#039;s this twisting of visual and emotional elements into a new form that is one of the things I&#039;m addicted to as an artist. Though I paint a lot of landscapes and figure paintings, recently images have begun to overlap in odd ways.

It&#039;s hard selling one&#039;s work at times because, as you say, everyone perceives things in their own way, and may not relate to a work. I have also done some commercial work, and sometimes it feeds into my other work. 

It&#039;s always very encouraging reading about the experiences and thoughts of other artists on these subjects.</description>
		<content:encoded><![CDATA[<p>I found your interview very interesting.  A lot of the issues you  mention are things I&#8217;m also concerned with, as an artist.  (Most artists probably think about these issues.)  Especially interesting is your description of the creative process.  I also work in series and find that all kinds of elements from my environment affect me and enter my work in many different kinds of ways.  I think it&#8217;s this twisting of visual and emotional elements into a new form that is one of the things I&#8217;m addicted to as an artist. Though I paint a lot of landscapes and figure paintings, recently images have begun to overlap in odd ways.</p>
<p>It&#8217;s hard selling one&#8217;s work at times because, as you say, everyone perceives things in their own way, and may not relate to a work. I have also done some commercial work, and sometimes it feeds into my other work. </p>
<p>It&#8217;s always very encouraging reading about the experiences and thoughts of other artists on these subjects.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
